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	Liam Neeson (2004 interview)
	
    
    
    
    Liam Neeson
    
    Investigates More Than His Soul in Kinsey
     
    
    by Brad Balfour
    
	Copyright © 2004
	PopEntertainment.com. 
	All rights reserved. Posted: 
	November 17, 2004.
	
	
    Oscar-winning actor Liam 
    Neeson doesn’t shy away from tough roles. When he took on Oskar Schindler 
    for Steven Spielberg, he faced a challenge but now that he's tackled Kinsey,
    he has handled some difficult tasks for award-winning director Bill 
    Condon—aging 30 years, sounding distinctly American and performing several 
    homosexual loves scenes. But this Irish-born actor has met other challenges 
    before— from playing dark anti-heroes to landing a key role in Star Wars. 
    While he will star in another classic hero tale, Batman Begins, the 
    early praise for Kinsey suggests that he will be a contender for 
    another Oscar.
    
    
	You’ve done, a few films where you’ve played real people.  
    What draws you 
    to historical films and the realm of nonfiction? 
    
    Well, I’ve made 44 films and four times I’ve played real characters. I’m 
    just drawn to people who have a  pioneer spirit, this extraordinary energy 
    and commitment to their cause.  That’s certainly true of Michael Collins, 
    Schindler, and to a certain extent, most definitely, Alfred Kinsey. Maybe 
    I’m drawn to them because I’m a lazy slob myself. I just love to see people 
    with energy that just burn up their day with their quest for what they’re 
    after.  
    
    What did you know of Kinsey before? 
    
    Very little. In my general reading in my ‘20s, I became aware of the Kinsey 
    Reports and the effect they had of American society.   
    
    What were the challenges for you to get into this character?  
    
	From an acting point of view, I bear no relation. I don’t look like Alfred 
    Kinsey at all, but thought somewhere in my artist, actor’s soul, I could 
    capture something of the spirit of the man. Then there’s obviously the 
    accent, the way of walking, and there’s the age range—Laura and I have to go 
    from 30 years of age up to 62. So we wanted to do that as subtly as 
    possible,  and not draw attention to it.  At the [Kinsey’s] Sex Institute in 
    Bloomington, Indiana, they were a phenomenal help, too.  We went out there 
    for a few days, and they gave us access to materials.  And the biographies, 
    there are four or five, ranging from very poor to excellent. 
    
    What did you learn about Kinsey working on this film and what did you 
    th ink about sexuality that you hadn’t thought of before?
ink about sexuality that you hadn’t thought of before? 
    
    Just the variability of the sexual practices of the human species.  Kinsey’s 
    quest was for us all to be tolerant and accepting of each other.  So that 
    rich tapestry is really quite extraordinary which I had never really 
    contemplated before doing my research.  Also the times he was living in and 
    the level of ignorance, especially with young  people [really struck me].  
    Kinsey was devoted to young  people.  There were surveys done in the ‘40s 
    where 90% of high school boys didn’t know that they male was responsible for 
    having a baby with the woman. 95% never knew the word "masturbation". The 
    whole  physiology of sex, a woman’s menstrual cycle, was totally unknown to 
    these boys  in the ‘40s. It was common  for girls in the ‘30s not to know 
    where babies came from.  This is what Kinsey was confronted with, so he 
    provided a springboard to do something about it.  He saw this awful gap in 
    human knowledge that he wanted to fill.   
    
    Do you think that Kinsey’s thoughts on  homosexuality were skewered a bit 
    by his being bisexual? 
    
    I don’t think so.  Bear in mind that he had planned to write a whole series 
    of books. The data he gathered from those eighteen 
    years of interviews, they used a tenth of that 
    data to write these two enormous volumes on male and female sexuality. In 
    those days homosexuality was a pathological disease, and a crime; one of 
    those things he did show was the prevalence of homosexuality, and indeed the 
    penal code was altered because of these reports. But, you know, there’s 
    still ten states that outlaw premarital sex, and 
    many more where adultery is still a crime. 
    
    What kind of kisser is Peter Sarsgaard?  
    
    He’s not bad.  Needs to shave a bit more. 
    
    He didn’t think you were much good.   
    
    [Laughs]
    
    Who taught you about sex? 
    
    Toilet walls. 
    
    
     What was on them, any specific illustrations?
What was on them, any specific illustrations? 
    
    No, but they were crude, sort of strange Picasso-esque drawings of male and 
    female. That’s where I learned it from, and from my school chums. 
    Terrible feelings of guilt, too, looking at these crude drawings, you 
    know.   
    
    Did this film bring you back to those days of sexual repression in 
    Ireland? 
    
    Well it certainly made me think about how church and state are very much 
    hand in glove, as James Joyce once said.  It had a total iron grip on the 
    morals of the country, and I grew up in the 50’s.  Of course sex was never
    talked about and discussed 
    
    You've got a couple of young kids.  
    At what age would 
    be all right for them to see this film? 
    
    I think they’d be so bored if they watched this, but they’ll see it at some 
    point, I think.   
    
    And have they had sex education? 
    
    We’ve done it. They’re eight and nine, and a few months ago they started 
    asking pertinent questions, so we had to tell them. 
    
    Do it have anything to do with you being in this film? 
    
    No, it came up the way it comes up naturally.  I didn’t quiz them on stuff, 
    they were asking the right questions.   
    
    Any trepidation on your part? 
    
    Oh yeah, I thought I’d be pipe-smoking, wearing a cardigan, "Come here by 
    the fireplace," but I looked at my wife with pleading  eyes, "You go first."
    
    
    Who went first? 
    
    She did. 
    
    What would Michael Collins think of Alfred Kinsey? 
    
    I think he would have admired him, his energy and his work ethic, 
    definitely. 
    
    Are there other historic figures you’d like to play?
    
    I’d like to play Ian Paisley, actually.  I’d need building up, though he’s 
    very frail now
    
    Can you talk about Batman? 
    
    I can’t talk about  it. 
    
    Well, what made you say yes to doing it?
    
    Well, That’s easy—[director] Christopher Nolan.  And the script is quite 
    phenomenal, actually. 
    
    How was the shoot?  
    
    They only wrapped a few weeks ago after seven months, I was on for like 
    four.
    
    What is your relationship with Bill Condon?
    
    Very, very good.  I’ve been an admirer of his since Gods and Monsters, 
    and he’s one of the  few writer/directors I’ve worked with.  Certainly Neil 
    Jordan, Woody Allen, Chris Nolan, exceptional people who are as gifted with 
    a pen as they are with a camera.   
    
    
     Lots of homework with [Condon]?
Lots of homework with [Condon]?
    
    Lots of prep, and we were fortunate enough to have two weeks of rehearsal 
    before we started shooting, which was a luxury.  You rarely get that.
    
    What’s next? 
    
    I’ve got this Ridley Scott film coming  out called Kingdom of Heaven 
    about the second Crusades.  And I just 
    finished this Neil Jordan film called Breakfast on Pluto coming out 
    next year too.  Batman’s coming out in 
    the  summer as well.  
    
    So you’ll be busy. 
    
    Well, doing a lot more of this probably.   
	
	
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