With two remarkable cinematic
performances under her belt, teenactress Evan
Rachel Wood has successfully avoided doing the clichédHollywood chick flick routine. In Thirteen the Southern born
Woodgave us a thoroughly authentic look at the
travails of a modernsuburban teen but through
Pretty Persuasion she gets really tested
having to create Kimberly Joyce, a no holds barred adolescent monsterwith a sweet side.
So this part was originally going to go to Jenna Malone and youwere going to play the beautiful best friend who steals herboyfriend. Did you get to work with
her?
I only met with her once and I think Jenna's great; I really,really respect her and think she would've been great but it allhappened so fast, getting [this other part] and having to completelyswitch my mindset about the movie. I went, "Oh my God, I have to goback and read it. What am I doing now? Oh God, that's what I'm doing?Did I agree to this?" So it was a little scary at first, but I wasexcited because it was kind of the most challenging role I feel thatI've taken on. So I was scared but excited.
Even more than with doing Thirteen?
Yeah, because with Thirteen, I felt like I could relate more tothe character. And with this one, there's comedy involved and I hadnever done that and you try to, since there's been so many similarcharacters like this, to make her different, not just a kind of easy,one dimensional, mean girl.
There must be a better choice of words.
Yeah [laughs]. So I wanted to give her different colors and tryto figure out where she was coming from and not to make her so meanand have moments where you do feel bad for her.
You once said "People think I play these damaged girls." Even on
an episode of CSI you played the damaged girl--you were 12 or
13.
Oh CSI, I was 15 when I did that.
What is it you do that makes people want to see you in these dark roles?
Well, I specialized in drama, so anything I do will be dark anddramatic. But all of the characters I've played seem pretty differentthan me and coming from different places and just as long as I'm notdoing the same thing over and over again [that's cool]. I do feel
likeI worked some sweet roles in there too. I was
a pretty sweet characterin
Once and Again. I'm doing a musical now.
It's the Julie Taymor musical?
It is light! It's Beatles songs.
How difficult was it in preparing for this role, in taking on this
character?
It was hard because this character has so much dialogue. Thefirst ten minutes of the movie is just me
ranting and talking and justhaving to memorize
all the lines and, like I said, not to have her be
the stereotypical bad teenage high school girl. I was just trying tofigure out a way to make her be so empty inside and yet just have somuch going on in her brain. Everything is just up here and there'snothing going on in here and just pure venom coming out of her eyesand yet she still looks very sweet and she's got a smile on her face.Having to mix all those things together was fun to play around with.
In terms of the way the character was developed Pretty Persuasionoffered quite a contrast to Thirteen --
your character there was all
about emotion.
Oh yeah. Her emotions were all over the place and she was notabout to hide any of them. So yeah, that was just like go all out,just put her all out there. But this girl was very internal and youjust had to see everything going on in her face and in her eyes.
To
approach this role, you had to think she wants to be thiscelebrity no matter what?
There's so many reasons why she does what she does. It'sestablished in the movie that she's way too smart for her own good
andshe's broken all the school test records so
you know she's already areally smart and clever
girl. And just seeing how she was raised and
what kind of a house she came from, she just felt really alone andreally unloved and already like she didn't have anybody. Then herbrother dies. You kind of get the impression that they were close.
Andthen she feels like her best friend betrayed
her. So yeah, she's justpissed off and feels
alone and she feels like there's nothing left to
lose. So why not just do whatever she can to become famous and getwhat she wants for herself.
Actors always often say that you have to get things across in theeyes, or more in the movements of the face. What do you do to makeyour eyes convey emotion?
It just happens. When you just think about the way you're sayingit. The eyes are kind of unexplainable. It's weird how you can
stareinto somebody's eyes and know what they're
feeling and know whatthey're thinking. I don't
know how to explain it, but I know that itjust
happens if you put yourself in the right mindset. Even if yourface isn't changing, you just kind of sense it and feel it for somereason.
Was there anyone in your past that you could draw on for your owncharacter? For both movies, did you draw on the people you've knownand met?
People like Kimberly? Oh yeah, definitely. And I knew way toomany girls like the character in Thirteen. And there's this
one girlin particular that I based Kimberly on
that I went to junior highwith. Man, oh man.
She was just terrible. "I'm going to pretend to beyour best friend and I have a smile on my face and I'm going to gobehind you and completely stab you in the back and I'm going to doeverything I can and use my sexuality to be in a place of power and
tobe the queen bee and stir things up, just to
stir things up." And it'swas just so
frustrating and so hurtful.
If you
could choose a dream role, what would it be?
Definitely, the one I'm doing now. I want to do
a cool moviemusical. I was in tears when I
showed up for the first day of work andit was
just rehearsal. We were just going into the dance studio andwere in the middle of Times Square and it was just exactly what Iwanted to be doing.