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       Linda 
      Cardellini
Linda 
      Cardellini
      
      Miss Versatility
      
      
      by 
      
      Jay S. Jacobs
      
      
    
		Copyright ©2005 
    PopEntertainment.com.  All rights reserved.
     Posted: 
    December 
     
    27, 2005.
		
      Most actors have a very 
      specific zone in which they are comfortable.  There are wonderful dramatic 
      actors, for example, who could not deliver a punch line to save their 
      lives.  On the other hand, many comic actors have trouble projecting 
      pathos and tragedy.  
      
      Linda Cardellini does 
      not have this problem.  In fact, her career has been very specifically 
      divided between those two 
      different worlds – 
      the yin and yang of styles
      which 
      make up acting.   
      
      She has done her share 
      of light, frothy comic roles.  Cardellini played the uptight, mystery-loving, book-reading, 
      clue-solving, glasses-losing, 
      ghost-hunting Mystery Inc. member Velma in the Scooby-Doo! movies.
       She 
      was the evil step-daughter on an eternal bad-hair day in Legally Blonde.  
      Now, she plays the only truly adult character in the farce Grandma’s 
      Boy from Adam Sandler’s production company. 
      
      Cardellini has also done 
      more than her share of dramatic heavy lifting.  Her first breakout role 
      was playing the brainy, beautiful but conflicted Lindsay Weir in the cult 
      favorite TV series Freaks and Geeks.  In recent years, she has 
      toiled in the long-running series ER, playing Samantha Taggart, a 
      nurse who has to balance her career, a troubled son, a ne’er-do-well 
      ex-husband and an ultimately doomed relationship with hunky Dr. Luka Kovac 
      (Goran Visnjic).  Now she is playing a devastating supporting role in one 
      of the most rave-reviewed films of the season – celebrated director Ang 
      Lee’s (Sense and Sensibility, Crouching Tiger Hidden Dragon) moody 
      modern western love story Brokeback Mountain with Heath Ledger and 
      Jake Gyllenhaal.
      
       This 
      diversity comes naturally to Cardellini, though she does recognize that it 
      is a rare thing in Hollywood.  
      However, for her the opportunity to mix it up with both types of roles 
      keeps her career fresh and exciting. 
      
      
       “That definitely keeps 
      me more interested,” Cardellini explains, “when I get to do things that 
      are different than the last, or different from what people may expect.  
      I love both sides of it.  I think that’s what makes it challenging.  
      That’s what makes it fun...  They both have their 
      challenges.  But I think sometimes comedy is a little bit more specific 
      and more hit or miss.  Drama has a lot more leeway, I think.”
“That definitely keeps 
      me more interested,” Cardellini explains, “when I get to do things that 
      are different than the last, or different from what people may expect.  
      I love both sides of it.  I think that’s what makes it challenging.  
      That’s what makes it fun...  They both have their 
      challenges.  But I think sometimes comedy is a little bit more specific 
      and more hit or miss.  Drama has a lot more leeway, I think.” 
      
      
      Early on in her career, 
      as any actress, Cardellini took widely divergent roles – playing a victim 
      in StrangeLand, former rock star Dee Snider’s (of Twisted Sister) 
      stab at horror movies and appearing in such lightweight teen confections like
      Dead Man On Campus and Good Burger. 
      
      
      So 
      what does it say about Linda Cardellini's body of work that she is probably the only 
      actress in Hollywood who has worked with both Ang Lee and Dee Snider?  She 
      just laughs heartily when the idea is brought up.  “I don’t know, but it’s 
      been fun, that’s for sure.” 
      
      She could have never 
      known that her career would come together as it has when she was a little 
      kid.  In school, one of her teachers picked her out to be in a play.  Cardellini had never even considered anything like that – she was a shy 
      girl and the idea was attractive to her but miles away from anything she 
      thought she could do.  But 
      her teacher had liked her voice and had an intuition about her, pushing the 
      young actress to later do a Christmas play and work in Community Theater.  
      By then the fever had caught, and when she went to Loyola-Marymount 
      University in LA, Cardellini knew what she wanted to do with her life.  
      Her parents were supportive of her plans to be a theater major – 
      Cardellini laughingly recalls that as long as she was
      in college they were happy.  She did the typical young actress 
      deal, searching for good roles by “ripping things off telephone poles, all 
      that kind of stuff.” 
      
       Television and movie 
      roles came to her quickly, but it was Freaks and Geeks that really 
      made people take notice.  Created by Judd Apatow (The 40-Year Old 
      Virgin) and Paul Feig (Arrested Development and The Office), 
      the series was 
      about losers, brains and burn-outs in an 
      early 80s high school.  The show debuted in 1999 and did not quite 
      last an entire season; however it was critically acclaimed and has spawned 
      a rabid cult following in the years since the series faded away.
Television and movie 
      roles came to her quickly, but it was Freaks and Geeks that really 
      made people take notice.  Created by Judd Apatow (The 40-Year Old 
      Virgin) and Paul Feig (Arrested Development and The Office), 
      the series was 
      about losers, brains and burn-outs in an 
      early 80s high school.  The show debuted in 1999 and did not quite 
      last an entire season; however it was critically acclaimed and has spawned 
      a rabid cult following in the years since the series faded away.  
      
      “I’m just happy about 
      [the series eventually finding its audience], really,” Cardellini says.  “I love 
      the show.  I’m so proud of it.  It was really one of those moments in your 
      life that can’t be repeated.  It just was one of those special times, you 
      know?  It was a really great experience, although it had a tragic 
      ending.”  She chuckles.  “But basically it was like an incredible, magical 
      experience.  And the reason why the DVD even exists is because the fans 
      asked for it.  We really owe a lot of it to people just responding to the 
      show, which I think is the greatest compliment.  Although, I wish it would 
      have been able to stay on the air.  It has yet to die because people have 
      really responded to it, which is sort of the most important thing.” 
      
      
      The show may not have 
      lasted, but it did turn out to be a launching pad for the careers of its 
      young stars.  Beyond Cardellini, James Franco has become a movie actor in 
      the Spiderman movies and Tristan and Isolde, John Francis 
      Daley has done several series including Boston Public, The Geena Davis 
      Show and the recently cancelled Kitchen Confidential, Jason 
      Segel is part of the ensemble of the new hit sitcom How I Met Your 
      Mother, Busy Philipps had 
      a recurring role on Dawson's Creek and Seth Rogan was one of the stars of The 40-Year Old 
      Virgin.  
      
      
      The cast's continued 
      success does not surprise Cardellini.  In fact, she always knew she was 
      part of a special group.  “From the beginning,” she says firmly.  “The way 
      that Judd and Paul went about casting it, it was a lot of improv.  It was 
      more informal and more in depth than any other casting process.  We were 
      sent in to improv with each other and to work with each other and to offer 
      things about our own character.  To create things once we were cast.  
      Especially for a new show, that’s a
       rarity, 
      because typically they are so watchdog-y over the new 
      project that they don’t let people have as much freedom.  They really 
      let us have our own voices and our own freedom.  That was pretty 
      special.  Not to mention that the majority of us – even for those of 
      us who had worked before, hadn’t really ever been seen before in any kind 
      of big way.  So it was this group of fledglings coming up together 
      and then learning how to live in the business.  And we were all just 
      really excited, and part of something that was different than anything 
      else on television.  Unfortunately, I think that may have been its 
      downfall, its wonder.”
rarity, 
      because typically they are so watchdog-y over the new 
      project that they don’t let people have as much freedom.  They really 
      let us have our own voices and our own freedom.  That was pretty 
      special.  Not to mention that the majority of us – even for those of 
      us who had worked before, hadn’t really ever been seen before in any kind 
      of big way.  So it was this group of fledglings coming up together 
      and then learning how to live in the business.  And we were all just 
      really excited, and part of something that was different than anything 
      else on television.  Unfortunately, I think that may have been its 
      downfall, its wonder.”
      
      After the series ended, 
      Cardellini did a memorable supporting role in the Reese Witherspoon comedy
      Legally Blonde.  Then she heard of another role that intrigued 
      her.  They were making a live-action film version of the old 
      Saturday morning cartoon 
      series Scooby-Doo! Where Are You!  Cardellini thought it would be 
      interesting to play the character of Velma, but she knew that it was in 
      its own way an iconic role with a lot of viewers having a very specific 
      viewpoint towards the character.  Cardellini 
      didn't want to 
      disappoint fans of the show.
      
      “Oh, yeah, I felt a huge 
      responsibility for it.  In fact, when I auditioned I went in a costume.  I 
      had studied the cartoons.  I’d always watched it, since I was a kid.  It 
      was my favorite,” she laughs.  “I felt most of all an obligation to myself 
      in terms of how much nostalgia I had for that show, for that character.  
      You know, of course, you’re always afraid.  It’s always a little bit 
      daunting when something is already established.  But, it was really fun.  
      It was really a great time.  The first one I got to live for six months in
      Australia, 
      which is something I had never done before.  I’d never had the chance to 
      do, and I don’t know when I’ll have the chance again…  It was just an 
      incredible time.”
      
      The Scooby-Doo! 
      movie was a smash hit, spawning an even bigger sequel Scooby-Doo! 2: 
      Monsters Unleashed.  At the time of this interview there are no plans 
      for a third film in the series.  (“Not that I know of, no…,” Cardellini 
      says) but it’s okay.  Linda Cardellini was ready to move on again, and she 
      received the biggest role of her career.  
      
      In 2003, Cardellini was 
      one of the actors hired to give a fresh look to ER, the 
      long-running and extremely popular Thursday night institution which is 
      currently in its twelfth season.  Her character was planned as a new love 
      interest for the handsome European doctor Luka.  The show is notoriously 
      fast-paced and technical, which Cardellini experienced first-hand 
      right away.
      
      
       “[It was] terrifying.” 
      she laughs.  “I accepted the job on Monday and started working on 
      Wednesday.  I didn’t really have enough time to be scared about it.  But, 
      you know, you hit the ground running, and if you can’t keep running
      – you’re 
      out.  So you have no choice but to run with it.  It’s pretty amazing.  You 
      know, I knew about the dialogue being scary.  But I had no idea how 
      technical the actual job is.  Physically you have to learn to do things 
      and look like you’re doing procedures and look like you know what you’re 
      doing at all times in a trauma room – where it is life and death.  That 
      takes a lot of learning.”
“[It was] terrifying.” 
      she laughs.  “I accepted the job on Monday and started working on 
      Wednesday.  I didn’t really have enough time to be scared about it.  But, 
      you know, you hit the ground running, and if you can’t keep running
      – you’re 
      out.  So you have no choice but to run with it.  It’s pretty amazing.  You 
      know, I knew about the dialogue being scary.  But I had no idea how 
      technical the actual job is.  Physically you have to learn to do things 
      and look like you’re doing procedures and look like you know what you’re 
      doing at all times in a trauma room – where it is life and death.  That 
      takes a lot of learning.”  
      
      Her character was thrown 
      into a dizzying swirl of stories as well.  There was her relationship with 
      Luka.  She also had a series of fights and problems with her son, who was 
      starting to act out and get involved with bad crowds.  And her ex was 
      always in the background, hatching schemes and scrounging for money and 
      trying to win favor with the boy.  Cardellini was thrilled to be thrown 
      front and center on so many complicated storylines.  
      
      
      “It’s 
      great,” she says.  “In some ways I’m sad that Luka and Sam broke up, 
      because I had so much fun working with Goran.  He’s such a great guy.  
      But at the same time, I think they needed [to be] apart.  They were 
      kind of getting into a repetitive pattern.  
      So, 
      I’m anxious to see what they’ll do with Sam now that she’s back on her own 
      and she’s a single mom that sort of invented who she was.”
      
      For an actress who 
      always tended to disappear into her roles, suddenly people were 
      recognizing her in the streets.  “It’s mainly happened through ER,” 
      she acknowledges.  “It’s really one of the first times I’ve 
      actually kind of looked like myself.  It happened a little bit with 
      Freaks and Geeks.  I think that’s where people maybe started to notice 
      first.  And then I did Velma, and I don’t look like her when I walk down 
      the street, so I was lucky enough to sort of escape that.  With other 
      parts – I love to disguise myself.  So this is the first time that I’m 
      actually as is…”
      
      
       This season, Sam’s 
      storylines in ER have been less flashy and 
      prominent, but that is not because Cardellini isn’t working.  In fact, with three movies coming out she is 
      busier than ever.  The film work has impinged on the series a bit.  (“At 
      times it has,” she acknowledges.)
This season, Sam’s 
      storylines in ER have been less flashy and 
      prominent, but that is not because Cardellini isn’t working.  In fact, with three movies coming out she is 
      busier than ever.  The film work has impinged on the series a bit.  (“At 
      times it has,” she acknowledges.)  
      
      The first film to 
      be released has been a shocking critical success.  
      Brokeback Mountain,
      the story 
      of the doomed love between two cowboys in 1960s Wyoming, has become the 
      critical champion of the year, also winning award nominations for the 
      actors and directors.  “I read the script and I auditioned for Ang Lee.  
      And I just hoped and wished for the part.  I won the role and I was really 
      happy about it.  I’m thrilled.  I feel pretty privileged to be part of the 
      movie.”  The adulation the film has been receiving also touches her.  
      “It’s fantastic.  It’s a great ride.  I can’t wait to see where it takes 
      the film and where it takes the audiences, as well.”
      
      The film, 
      with its homosexual relationship, is a surprising success
      in a time when the United States 
      has become quite conservative on such matters.  However, Cardellini thinks 
      it’s a good thing that a film like this can catch on.  
      
      “With any project that 
      you hope has merit, you hope it changes people’s hearts and minds and it 
      leads them to something that is socially conscious.   It’s just 
      a really beautiful story, regardless of what you think about any kinds of 
      issues that it addresses.  It’s a really gorgeous movie.  I’m happy to see 
      that it’s out there.  Funny enough, when I went to the movies last night, 
      the only two movies that were sold out were King Kong and 
      Brokeback Mountain,” she 
      laughs.  “The two movies couldn’t be more different.  It’s kind of 
      interesting to see what’s happening in the box office, especially with the 
      movie in such limited release.”   
      
      
      Another 
      of Cardellini's socially conscious films
      which is in the can is American Gun, which 
      was produced by IFC films.  “It’s neither for nor against, it’s just sort of 
      an exploration of the proliferation of guns in America,” Cardellini 
      explains.  “It takes about five stories [involving] the different sort of 
      lives that guns take on and the circumstances that effect people, 
      involving guns and gun violence.  I play a granddaughter of Donald 
      Sutherland.  He owns a gun shop in Virginia.  That’s where I’ve moved to 
      go to school.  It’s sort of that versus the life I knew, being from 
      California.  It’s not at all the same.  Live in America and 
      some of its parts are so different.” 
      
      
       On a much lighter note, 
      she plays the romantic interest in Grandma’s Boy, the first starring film by long-time Adam Sandler collaborator Allen Covert.  In it, 
      Covert plays an arrested-development video game tester who has to move in 
      with his Grandmother (Doris Roberts) and her two friends (Shirley Jones 
      and Shirley Knight) when his roommate blows six months rent.  Cardellini
      plays Covert's boss-slash-love interest.  She
      loved the filming, in fact so much that she is
      now dating director Nick Goossen.  This relationship did not affect their working together and how 
      she reacted to his suggestions as a director, because, as she explains, “We didn’t 
      start dating until after the movie was done.  So I probably was more 
      attentive to his directions,” she laughs.
On a much lighter note, 
      she plays the romantic interest in Grandma’s Boy, the first starring film by long-time Adam Sandler collaborator Allen Covert.  In it, 
      Covert plays an arrested-development video game tester who has to move in 
      with his Grandmother (Doris Roberts) and her two friends (Shirley Jones 
      and Shirley Knight) when his roommate blows six months rent.  Cardellini
      plays Covert's boss-slash-love interest.  She
      loved the filming, in fact so much that she is
      now dating director Nick Goossen.  This relationship did not affect their working together and how 
      she reacted to his suggestions as a director, because, as she explains, “We didn’t 
      start dating until after the movie was done.  So I probably was more 
      attentive to his directions,” she laughs. 
      
      What was it like
      to work with such established actresses?  “It was great,” Cardellini effervesces.  “It really was one of the best times I’ve had 
      making a movie.  We had sooo much fun together.  And, you know, I 
      was doing ER when I was doing Grandma’s Boy.  So it was 
      going from night to day.  Night and day-style work, in terms of being in a 
      high-stakes medical drama to a big comedy for Fox.  It was great.  It was 
      so much fun.  I remember one of the ladies saying that it was one of the 
      best times she ever had working on a movie, which is pretty amazing after 
      the long and illustrious careers the three of them have had.”   
      
      Now that she has all 
      three of her films in the can, she is ready to slip back into her ER
      scrubs for the long haul.  The venerable series'
      ratings may not be 
      quite as high as they were in the show’s heyday, but it is still a 
      standard bearer for the network and is not going anywhere anytime soon.  
      “As far as I know, they’ve got a contract until 2008,” Cardellini says.  
      So hopefully Samantha will be working the floors of County General in 
      Chicago for seasons to come.   
      
      
      However, if it were all to end, she would land on her feet.  
      Cardellini is looking at her career as the long haul.  She doesn't 
      want to make a big splash and then maybe flame out.  Instead she 
      plans to act for as long as she can, taking on as many roles as she will 
      be allowed.  
      “I’d really like to be seen as somebody who’s versatile.  And I could 
      do many things, not just one…  Somebody who is a capable and 
      versatile actress.  And a good person.”