2 Days in Paris
Julie Delpy
has co-written two of my favorite films: Before
Sunrise and its sequel Before
Sunset, which Delpy created with director Richard Linklater and
co-star Ethan Hawke. Those films were cinematic feasts made up of sumptuous
dialogue and insightful character studies.
2 Days In Paris is
Delpy’s first chance to helm her own film completely: she wrote it, she
stars in it, she directs it, she even performed much of the film’s music.
Because of my fondness for Delpy’s previous work, I did have high hopes for
this film – and yet I also had a bit of concern; what if it turns out that
her talents were massaged by the work of Linklater and Hawke?
I shouldn’t
have worried. While not as good as those films, 2
Days In Paris is still pretty terrific. (Actually, ironically,
Hawke has released a significantly lesser film hot on this one’s heels with The
Hottest State – also as writer, director and co-star, so maybe
Delpy and Linklater were propping him up.)
2 Days In Paris is
much more blatantly comedic than the Before
Sunrise films (though they too were very funny in their own,
quieter ways). It is also more subtly subversive in certain ways. The
earlier films were about the moment when people are discovering love like a
flower blossoming. This is more about the very moment when they start to
recognize the bloom is off of the rose.
The movie
looks at a couple in their thirties. Marion (Delpy) is a Parisian
photographer. Jack (a rare and well-deserved starring role by the always
interesting Adam Goldberg) is a New Yorker. After a disappointing vacation
in Venice, they stop in the city of Lights to spend a couple of days with
her parents before returning home.
This leads
to a culture clash where the smart, insecure, hypochondriac from the States
with a huge fear of change is immersed in the more carefree lifestyles of
her eccentric family. (Goldberg is one of Delpy’s exes and has an easy,
comfortable, familiar rapport with her.) The couple is already on each
other’s nerves when a sudden influx of meddling parents (played by Delpy’s
own actor parents – Albert Delpy and Marie Pillet), old boyfriends, odd
foods and strange quarters places more and more pressure on their already
tenuous relationship.
Delpy has a
deep understanding and love of both the Parisian and American points of view
towards life and has fun poking at both sides. One of the meanest but
funniest jokes is reserved for an American tour group which stumbles through
the new city with Bush/Cheney t-shirts and DaVinci
Code tour maps and no more appreciation of where they are than
if they are visiting Cleveland.
Delpy also
has a keen eye for the way a person’s surroundings can change them. Back in
her home turf, Marion acts much different than Jack has ever seen her to be
– simply because she is no longer Marion the artist or the businesswoman,
she is now Marion the daughter and ex-girlfriend. Jack, on the other hand,
is always feeling like an outsider to the point that it becomes a bit of a
self-fulfilling prophecy.
2 Days In Paris isn’t
a perfect film, but it is an impressive debut for Delpy. I look forward to
seeing what is coming next from her.
Jay S. Jacobs
Copyright ©2007
PopEntertainment.com. All rights reserved. Posted:
August 26, 2007.
